Prehod

15. 10. 2025 'Hai confini della roba' (The Limits of Things) This work analyzes, on the basis of biographical elements, the period in which the Eastern world came to Gorizia. To buy everything that was not available in Yugoslavia and other countries. In doing so, it created an economy dependent on this situation. Today, many shops have closed their doors, and this market no longer exists. Borders and boundaries were the first step that led man to captivity, slavery,...

15. 09. 2025 Ana Maraž (1985) is an illustrator of highly stylized illustrations with a distinctive minimalist and flat style. She exhibits and publishes her work in renowned children's magazines at home and abroad, and her illustrations have also appeared in the books Kako dolg ječas (Mate Dolenc, Beletrina, 2019), Božaj veter (Miroslav Košuta, 2021), Protideževna juha (Majda Koren, KUD Sodobnost International, 2023), Narisati ptico (Kaja Teržan, Mladinska knjiga, 2024) and

15. 08. 2025 With her sensitive use of composition, shadows, and reflections, the author creates spaces of transition: between external reality and the inner world, between the past and present self, between the visible and the perceived. Photography is a kind of door—or perhaps just the illusion of a door—that invites the viewer to ask: Who am I in this moment of transition? And who will I be when I look away? / Tjaša Gnezda (1985) graduated from the Faculty of Social Scienc

15. 07. 2025 Anja Kranjc (1982) graduated in sculpture and obtained her master's degree in 2011. In 2006, she received the Prešeren Student Award. In addition to sculpture, she also works in painting, drawing, illustration, ceramics, and education. In her work, she primarily explores the thin line between the inner human being and the outer appearance of the body: how to shape the contemporary existential truth about the human body through movements, postures, limbs, full-len

15. 06. 2025 In this picture, the viewer looks at a familiar object—a door handle, which usually allows entry. But here, isolated against an empty background, it loses its function. With the caption "This is not a passage," the artist paraphrases Magritte's famous work This is not a pipe, thereby undermining our self-evident connection between image and meaning. In the space of the former customs office – the area of former border controls – the hook takes on additional...

15. 05. 2025 The illustration shows a black bear (Epicallia villica) on a common daisy (Bellis perennis); a species of butterfly that is also common in our region from mid-May to early June, in its three stages after the egg has developed. The larva (caterpillar) searches for food in the leaves of its host plant, the pupa hides safely on the underside of its leaf, and the butterfly feeds on nectar from flowers while resting. Eva M. Štanta has a master's degree in illustration

15. 04. 2025 Vasja Drajne, "In unconsciousness, it carries a vibration, unknowingly carrying yours as well." IT It cannot cross over, it feels that it is drowning in this... The shift will only happen if it gets help. It knows you know you can see! It waits, it vibrates, everything is within reach, it just needs a shift, a transition, so it doesn't drown in the embrace of death. And so it is, and so it is right. A hybrid of female and male differences, which captures the simi

15. 02. 2025 Damijan Kracina, Drogo: The hero of the novel The Tatar Desert, who spends his life guarding an old border fortress. Damijan Kracina completed his studies in sculpture at the Academy of Fine Arts and Design in Ljubljana in 1996 and obtained his master's degree in sculpture and video art there in 1999. He furthered his studies at residencies in Graz, New York, at the Tamarind Institute in Albuquerque, and at the Santa Fe Art Institute in the USA. He was a founding

15. 01. 2025 After graduating from the Nova Gorica Art Gymnasium, Tamara Jenček enrolled at the Academy of Fine Arts and Design in Ljubljana, majoring in visual communication and graphic design. Even then, she was fascinated by illustration and animation. Today, she focuses primarily on digital media, where she uses intense colors and surfaces, and increasingly also centrally positioned plastic objects, to depict stylized motifs from nature and everyday life.